Musica Antiqua Köln - Pachelbel - Canon & Gigue; Bach Handel Vivaldi (1983 CD reissue/remaster 1995)

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Pachelbel - Canon & Gigue; Bach, Handel, Vivaldi
Musica Antiqua Köln - Reinhard Goebel
EAC+LOG+CUE | FLAC: 371 MB | Artwork | 5% Recovery Info
Label/Cat#: Archiv Produktion # 447 285-2 | Country/Year: Germany 1995, 1983
Genre: Classical | Style: Baroque

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EAC LOG
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 13. June 2014, 11:28

Musica Antiqua Köln - Goebel / Pachelbel: Canon and Gigue; Bach - Handel - Vivaldi

Used drive : Optiarc DVD RW AD-7173A Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD

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19 | 62:56.33 | 3:34.00 | 283233 | 299282 Range status and errors

Selected range

Filename C:Scanned1Musica Antiqua Köln - Goebel - Pachelbel- Canon and Gigue; Bach - Handel - Vivaldi.wav

Peak level 99.9 %
Extraction speed 5.4 X
Range quality 100.0 %
Copy CRC 851AA44F
Copy OK

No errors occurred


AccurateRip summary

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==== Log checksum 285CBBC9084F8A33BA40CBE7294AAA63D0A35AF9B3575299F9D9CE5C507411DE ====

auCDtect LOG
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default) ------------------------------------------------------------
[Musica Antiqua Köln, Goebel - Pachelbel- Canon & Gigue; Bach, Handel, Vivaldi.wav]
Detected average hi-boundary frequency: 2.078321e+004 Hz
Detected average lo-boundary frequency: 1.594368e+004 Hz
Detected average hi-cut frequency: 2.135008e+004 Hz
Detected average lo-cut frequency: 1.916109e+004 Hz
Maximum probablis boundary frequency: 2.112100e+004 Hz
Coefficient of nonlinearity of a phase: 4.211610e-001
First order smothness: 3.133951e-001
Second order smothness: 8.896377e-001
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This track looks like CDDA with probability 100%.

Dynamic Range LOG
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-06-14 10:47:02

--------------------------------------------------------------------------------
Analyzed: Musica Antiqua Koln - Goebel / Pachelbel: Canon and Gigue; Bach - Handel - Vivaldi
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DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -2.48 dB -18.45 dB 4:45 01-Johann Pachelbel (1653-1706) / Canon and Gigue D-dur
DR15 -3.58 dB -23.55 dB 2:03 02-Georg Friedrich Haendel (1685-1759) / Sonate G-dur Op. 5 No. 4 HWV 399 fur 2 ...
DR15 -1.62 dB -20.31 dB 4:15 03-Georg Friedrich Haendel (1685-1759) / Sonate G-dur Op. 5 No. 4 HWV 399 fur 2 ...
DR14 -5.14 dB -22.38 dB 4:39 04-Georg Friedrich Haendel (1685-1759) / Sonate G-dur Op. 5 No. 4 HWV 399 fur 2 ...
DR14 -6.40 dB -23.26 dB 1:05 05-Georg Friedrich Haendel (1685-1759) / Sonate G-dur Op. 5 No. 4 HWV 399 fur 2 ...
DR13 -6.95 dB -23.24 dB 1:04 06-Georg Friedrich Haendel (1685-1759) / Sonate G-dur Op. 5 No. 4 HWV 399 fur 2 ...
DR14 -3.13 dB -20.36 dB 8:53 07-Antonio Vivaldi (1678-1741) / Sonate Op. 1 No. 12 RV 63 fur 2 Violinen & Cont...
DR13 -0.89 dB -17.60 dB 10:10 08-Johann Sebastian Bach (1685-1750) / Suite No. 2 in h-moll BWV 1067 - 1. Ouver...
DR12 -1.66 dB -17.42 dB 1:55 09-Johann Sebastian Bach (1685-1750) / Suite No. 2 in h-moll BWV 1067 - 2. Rondeau
DR12 -0.06 dB -16.09 dB 3:14 10-Johann Sebastian Bach (1685-1750) / Suite No. 2 in h-moll BWV 1067 - 3. Sarab...
DR13 -1.29 dB -17.67 dB 1:34 11-Johann Sebastian Bach (1685-1750) / Suite No. 2 in h-moll BWV 1067 - 4. Bourr...
DR12 -1.41 dB -16.29 dB 2:50 12-Johann Sebastian Bach (1685-1750) / Suite No. 2 in h-moll BWV 1067 - 5. Polon...
DR12 -1.68 dB -17.62 dB 1:05 13-Johann Sebastian Bach (1685-1750) / Suite No. 2 in h-moll BWV 1067 - 6. Menuet
DR13 -1.14 dB -17.39 dB 1:25 14-Johann Sebastian Bach (1685-1750) / Suite No. 2 in h-moll BWV 1067 - 7. Badin...
DR15 0.00 dB -19.01 dB 5:41 15-Johann Sebastian Bach (1685-1750) / Suite No. 5 in g-moll BWV 1070 - 1. Largh...
DR12 0.00 dB -18.22 dB 1:09 16-Johann Sebastian Bach (1685-1750) / Suite No. 5 in g-moll BWV 1070 - 2. Torneo
DR13 -3.92 dB -22.63 dB 4:03 17-Johann Sebastian Bach (1685-1750) / Suite No. 5 in g-moll BWV 1070 - 3. Aria....
DR14 -1.60 dB -20.76 dB 3:07 18-Johann Sebastian Bach (1685-1750) / Suite No. 5 in g-moll BWV 1070 - 4. Menue...
DR13 -0.72 dB -17.35 dB 3:34 19-Johann Sebastian Bach (1685-1750) / Suite No. 5 in g-moll BWV 1070 - 5. Capri...
--------------------------------------------------------------------------------

Number of tracks: 19
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 780 kbps
Codec: FLAC
================================================================================



CD Info:

Pachelbel- Canon & Gigue; Bach, Handel, Vivaldi

Musica Antiqua Köln - Reinhard Goebel

Label: Archiv Produktion
Series: Masters
Catalog#: 447 285-2
Format: CD, Album, Reissue, Remastered
Country: Germany
Released: 1995, 1984
Genre: Classical
Style: Baroque

Tracklist:

Johann Pachelbel (1653-1706)
1. Canon & Gigue D-dur

George Frideric Handel (1685-1759)
Sonata G-dur für 2 Violinen und Continuo op.5 No.4, HWV399
2. Allegro
3. A tempo ordinario — Allegro non presto
4. Passacaille
5. Gigue. Presto
6. Menuet. Allegro moderato

Antonio Vivaldi (1678-1741)
7. Sonata d-moll für 2 Violinen und Continuo »La Follia« op.1 No.12, RV 63

Johann Sebastian Bach (1685—1750)
Orchestral Suite (Ouverture) No.2 h-moll BWV1067
8. Ouverture
9. Rondeau
10. Sarabande
11. Bourrée I/II
12. Polonaise-Double
13. Menuet
14. Badinerie

Johann Sebastian Bach (attrib.)
Orchestral Suite (Ouverture) No.5 g-moll BWV1070
15. Larghetto-Un poco Allegro
16. Torneo
17. Aria. Adagio
18. Menuetto alternativo-Trio
19. Capriccio. Vivace

MUSICA ANTIQUA KÖLN
on authentic instruments

Wilbert Hazelzet, Flute
Reinhard Goebel • Hajo Bäß, Violin
Karlheinz Steeb, Viola
Jaap ter Linden, Violoncello
Jean Michel Forest, Violone
Henk Bouman, Harpsichord (Vivaldi, Bach)
Andreas Staier, Harpsichord (Pachelbel, Handel)

Direction
Reinhard Goebel

Newly remastered for this release

Recordings: Hamburg-Harburg, Friedrich-Ebert-Halle, 1982 (Vivaldi, Bach); 1983 (Pachelbel, Handel)
Executive Producer: Dr. Andreas Holschneider
Recording Producer: Wolfgang Mitlehner
Tonmeister (Balance Engineers): Jörg Iwaschuta (Pachelbel, Handel); Wolf-Dieter Karwatky (Vivaldi; Bach, BWV 1067); Wolfgang Mitlehner (Bach, BWV 1070)
® 1982 (Bach) 1983 Polydor International GmbH, Hamburg
© 1982 Reinhard Goebel; 1983 Joachim Dorfmüller

With every justification, NA waxed censorious over the hotchpotch contents of the original LP from which this CD is largely drawn: its Bach side then consisted of a single movement wrenched from a violin sonata, a spurious flute sonata and the B minor Suite, but incredibly enough minus the Overture and Sarabande. I am very glad to report that wiser counsels have prevailed at Archiv Produktion, and that now the other two Bach items have been painlessly dropped in favour of the complete suite (which had appeared on an LP issued in 1982). As it stands, this is an issue that can be warmly recommended musically and technically without reservation—except perhaps to those who hanker after rich Romantic tone and find the characteristic sound of baroque violins wiry. Even they, however, could not fail to be stirred by the enormous vitality of these performances: the word 'routine' simply doesn't seem to exist in the vocabulary of this splendid team of virtuosi. Its Vivaldi, which brings home the point that the Folies d'Espagne was (as its name implies) originally a frenzied dance, is in itself worth getting the disc for; 'the' Pachelbel canon played in the proper style might wean slush-wallowers away from the soupiness in which it is usually drenched; but the Handel trio sonata (incorporating themes from various stage works) is also a delight; and the glorious sense of controlled freedom which permeates the Bach, meticulously phrased and stylishly ornamented, uplifts the spirit.

– Gramophone [1/1984], reviewing the first CD release of this album, DG 410502


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